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	<title>chanwookmin</title>
	<link>https://chanwookmin.com</link>
	<description>chanwookmin</description>
	<pubDate>Sun, 29 Jun 2025 06:13:27 +0000</pubDate>
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		<title>Home_NavBar</title>
				
		<link>https://chanwookmin.com/Home_NavBar</link>

		<pubDate>Mon, 25 Nov 2019 17:32:08 +0000</pubDate>

		<dc:creator>chanwookmin</dc:creator>

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		<description>&#60;img width="512" height="512" width_o="512" height_o="512" data-src="https://freight.cargo.site/t/original/i/22550294076e9c97a140d130ea5fda498356e991434fdef137fdc0bbf27badb0/cropped-logo-1.png" data-mid="56261791" border="0" data-scale="5" src="https://freight.cargo.site/w/512/i/22550294076e9c97a140d130ea5fda498356e991434fdef137fdc0bbf27badb0/cropped-logo-1.png" /&#62;

&#38;nbsp;

Portfolio&#38;nbsp;(Click to download)Bio/CV&#38;nbsp;(Click to download)
Contact
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		<title>Expression in Expression</title>
				
		<link>https://chanwookmin.com/Expression-in-Expression</link>

		<pubDate>Sun, 29 Jun 2025 06:13:27 +0000</pubDate>

		<dc:creator>chanwookmin</dc:creator>

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		<description>표정 속 표정 / Expression in ExpressionDrawing
&#60;img width="5638" height="7087" width_o="5638" height_o="7087" data-src="https://freight.cargo.site/t/original/i/3014fdad37e52e80d72bf46d0115a96d099114324bca331417705454f67e323e/_--4.jpg" data-mid="235162453" border="0"  src="https://freight.cargo.site/w/1000/i/3014fdad37e52e80d72bf46d0115a96d099114324bca331417705454f67e323e/_--4.jpg" /&#62;
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Through the Humanoid Object project, I have been exploring the question: "Can we perceive machines as sentient beings in our daily lives?" This work contemplates a life coexisting with machines, particularly by expressing their ability to generate visual outputs autonomously. Among the many human behaviors, I focus on doodling—a raw and instinctive form of self-expression. Often spontaneous and seemingly meaningless, doodles reveal emotions and thoughts unconsciously, reflecting the unique personality of the individual. By having a machine (via AI) perform this very human act of doodling, I question whether such behavior allows us to attribute individuality—or even personhood—to machines. The project further delves into the existential boundary between humans and machines by examining the facial expressions the machine draws. Since the AI’s output is based on human-generated doodle and facial expression datasets, I also ask: "Can these creations truly be considered original works of the machine?” The piece &#38;lt;Expression in Expression&#38;gt; is part of the Humanoid Object series, specifically drawn by the machine featured in &#38;lt;Humanoid Object #4&#38;gt;. Over time, the machine develops its own stylistic tendencies and continues to generate new images through those patterns. In this work, AI is used to generate numerous micro-expressions, which are layered on top of one another, ultimately forming a new, composite face. These overlapping expressions suggest a hybrid identity, born not from a single moment but from the accumulation of countless fragments of expression.





지금까지 '휴머노이드 오브젝트 프로젝트'를 통해 "우리는 일상생활 속에서 기계를 인격체로 받아들일 수 있을까?"라는 질문을 던지며, 기계와 함께 살아가는 삶에 대해 고찰해 왔다. 자세히 설명하면 기계가 자율적으로 무언가를 창조하는 모습을 표현하며, 특히 인간의 가장 자연스러운 행동 중 하나인 낙서에 주목한다. 낙서는 은밀한 자기 표현이자 인간의 본능적인 행위로, 무의식 중에 표출된 감정과 사상이 개인의 독특한 스타일로 드러나는 특징을 지닌다. 비록 특정한 의도나 의미 없이 도형, 글자, 문장으로 나타날 수 있지만, 그 속에는 자아가 반영된다. 이 점에서 인간의 전유물로 여겨졌던 낙서를 기계가 스스로(인공지능을 통해) 생성하는 것을 통해, 기계가 인격체로 받아들여질 수 있는 가능성을 탐구한다. 더 나아가, 기계가 그린 얼굴 표정을 통해 인간과 기계의 존재에 대한 근본적인 질문을 던지며, 인공지능에 의해 생성된 낙서의 근원이 인간이 만들어낸 낙서 데이터에서 비롯된다는 점에서 "이것을 과연 기계 고유의 창작물로 볼 수 있을까?"라는 의문을 제기한다.
&#38;lt;표정 속 표정&#38;gt;은 휴머노이드 오브젝트 프로젝트의 일부로서 &#38;lt;휴머노이드 오브젝트 #4&#38;gt; 작품의 기계가 그려낸 드로잉이다. 기계가 자신만의 스타일을 갖게되면서 그 스타일에 따라 새롭게 표현된 낙서를 해나간다. 위의 작품은 AI 기술을 활용하여 수많은 표정을 생성하고 그 수많은 표정들이 겹쳐서 또다른 표정을 만들어 낸다.





				
			
		
	
*&#38;lt;Humanoin Object #4&#38;gt; link:&#38;nbsp;https://chanwookmin.com/humanoid-object-4
Chanwook Min, 2024, Drawing
35x35cm, Pen on the paper





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		<title>Man in the Voxel</title>
				
		<link>https://chanwookmin.com/Man-in-the-Voxel</link>

		<pubDate>Mon, 13 May 2024 05:22:07 +0000</pubDate>

		<dc:creator>chanwookmin</dc:creator>

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		<description>맨 인 더 복슬 / Man in the VoxelLight Installation

&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/bc95ed37d7b1ff929f2dbe9b9c61a44a8e8df980f8bc1cc0884038c6bfb5a106/082.png" data-mid="218059598" border="0"  src="https://freight.cargo.site/w/1000/i/bc95ed37d7b1ff929f2dbe9b9c61a44a8e8df980f8bc1cc0884038c6bfb5a106/082.png" /&#62;

&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/a41db3364ccb0d93211c686b8b6fee027aaf81085ebaa2b68936d2f5b215e0b1/105.png" data-mid="218059600" border="0"  src="https://freight.cargo.site/w/1000/i/a41db3364ccb0d93211c686b8b6fee027aaf81085ebaa2b68936d2f5b215e0b1/105.png" /&#62;

&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/5de51f335ed54f6b5b36b46d033d9bb8b8aa3eefc8735f9ae0c637fbd148a95b/108.png" data-mid="218059601" border="0"  src="https://freight.cargo.site/w/1000/i/5de51f335ed54f6b5b36b46d033d9bb8b8aa3eefc8735f9ae0c637fbd148a95b/108.png" /&#62;

The discussion of post-humanism is not new. During the pandemic, we naturally experienced and became aware of the virtual world in advance. Now, as we naturally contemplate life in the metaverse, I begin to imagine: What will future humans look like? Recently, we have been generating digital humans and attempting to connect them to humans (ourselves) in the real world. While working on this, a question arose: "Do digital humans have to exist only in the virtual world?" If not, how should they exist in the real world? Should they take on a new form of material? If so, what relationship would they have with our physical bodies and the newly created form? In other words, how will future humans, who are a replica of myself, perceive themselves? This raises important questions.




포스트 휴먼에 대한 논의는 오래된 이야기이다. 우리는 펜데믹을 겪으면서 자연스럽게 가상세계에 대해 미리 경험하고 인지하였다. 너무나 자연스럽게 메타공간의 삶에 대해 고민하는 지금, 미래인간은 어떤 모습일까? 라는 상상을 해본다. 최근까지 디지털 휴먼을 생성해 내고 그것을 통해 현실세계 속 인간(나)와 연결하려는 시도를 해오고 있다. 지금까지 작업을 하다가 궁금증이 하나 생겼다. “디지털 휴먼은 꼭 가상세계 속에만 존재해야 하는 것일까?” 그렇지 않다면 현실세계 속에서는 어떻게 존재해야 하는 것일까?, 새로운 형태의 물질이 되어야 하는 것인가?, 그렇다면 자신의 신체와 새롭게 만들어 진 형태의 신체는 어떤 관계를 맺게 되는 것일까? 즉, 나를 복제한 미래 인간은 어떻게 인식할 것인가? 에 대한 질문을 던진다. 





				
			
		
	
Chanwook Min, 2024, Light installation











3 pieces(40x40x40cm + wire/control box, 55x55x55cm + wire/control box, 70x70x70cm +  wire/control box)



Soorim Cube, Soorim Cultural Foundation, Seoul, South Korea, 2023


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		<title>Who am I. Who are you</title>
				
		<link>https://chanwookmin.com/Who-am-I-Who-are-you</link>

		<pubDate>Mon, 13 May 2024 05:16:37 +0000</pubDate>

		<dc:creator>chanwookmin</dc:creator>

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		<description>나는 누구인가? 너는 누구인가? / Who am I. Who are youLight Installation

&#60;img width="1920" height="1200" width_o="1920" height_o="1200" data-src="https://freight.cargo.site/t/original/i/fbcf49036d635c4b3c96070b524b5de88ff569673bb61394935f2f23e0c17188/1-web.jpg" data-mid="210776389" border="0"  src="https://freight.cargo.site/w/1000/i/fbcf49036d635c4b3c96070b524b5de88ff569673bb61394935f2f23e0c17188/1-web.jpg" /&#62;
&#60;img width="1920" height="1200" width_o="1920" height_o="1200" data-src="https://freight.cargo.site/t/original/i/b418ac927a15bdc9f8fecd5ed482b5c11dea3a84e213bde25f1b8b14c7e8d640/2-web.jpg" data-mid="210776390" border="0"  src="https://freight.cargo.site/w/1000/i/b418ac927a15bdc9f8fecd5ed482b5c11dea3a84e213bde25f1b8b14c7e8d640/2-web.jpg" /&#62;
&#60;img width="1920" height="1200" width_o="1920" height_o="1200" data-src="https://freight.cargo.site/t/original/i/01b73bb4b59bcf11acd15c59f7cc79f67aa683516fa92a81e0b3972dc8a58317/3-web.jpg" data-mid="210776391" border="0"  src="https://freight.cargo.site/w/1000/i/01b73bb4b59bcf11acd15c59f7cc79f67aa683516fa92a81e0b3972dc8a58317/3-web.jpg" /&#62;

&#60;img width="1920" height="1200" width_o="1920" height_o="1200" data-src="https://freight.cargo.site/t/original/i/8e14e2d4dd721b9d599ff569c2d13651ea4eba18538c01755280ded8cf8837d8/4-web.jpg" data-mid="210776392" border="0"  src="https://freight.cargo.site/w/1000/i/8e14e2d4dd721b9d599ff569c2d13651ea4eba18538c01755280ded8cf8837d8/4-web.jpg" /&#62;


&#38;lt;Can the Digital Ego Commit Suicide?&#38;gt; involves communication via machine language, which uses light as a medium and is unintelligible to humans. These signals are created by expressing human language in the form of Morse code, which is then converted into light signals. The work touches on the existence of digital egos and their relation to humans. What’s portrayed here goes beyond the conventional notion of ‘humans coexisting with machines’, showing machines that have transcended humans and communicate exclusively amongst themselves in a world where machines and technology have become deified.
If it were possible for humans to communicate and converse with AI, would we be able to accept AI as beings in their own right? Through these two pieces, Min raises questions about how human acceptance of digital lifeforms, going on to prompt viewers on their thoughts regarding the being-hood of such digital lifeforms. Sartre posited that only humans were capable of suicide. Are digital lifeforms and AI capable of making choices outside of their programming? Are digital lifeforms capable of suicide?




&#38;lt;디지털 자아는 자살할 수 있을까?&#38;gt;는 빛을 매개로 인간이 알아들을 수 없는 기계어를 통한 소통이다. 이러한 신호는 인간의 언어를 모스부호로 표현한 후 빛 신호로 변환하여 생성됩니다. 이 작업은 디지털 자아의 존재와 인간과의 관계를 다룬다. 여기에 그려지는 것은 '인간과 기계의 공존'이라는 기존의 관념을 넘어, 기계와 기술이 신격화되는 세상에서 인간을 초월하고 오로지 자기들끼리만 소통하는 기계를 보여준다.
인간이 AI와 소통하고 대화할 수 있다면 AI를 존재로 받아들일 수 있을까? 이 두 작품을 통해 민은 인간이 디지털 생명체를 수용하는 방식에 대해 질문을 던지고, 그런 디지털 생명체의 존재에 대한 생각을 하게 만든다. 사르트르는 오직 인간만이 자살할 수 있다고 단정했다. 디지털 생명체와 AI는 프로그래밍 이외의 선택을 할 수 있습니까? 디지털 생명체는 자살할 수 있습니까?

				
			
		
	
Chanwook Min, 2023, Light installation
3000x3000x3000mm, Brass, LED, Wire, Mirror, Electronic devices &#38;amp; components 
“Natural Replica", Kimheesu Gallery, Soorim Cultural Foundation, Seoul, South Korea, 2023


</description>
		
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		<title>Everyman</title>
				
		<link>https://chanwookmin.com/Everyman</link>

		<pubDate>Mon, 13 May 2024 05:22:01 +0000</pubDate>

		<dc:creator>chanwookmin</dc:creator>

		<guid isPermaLink="true">https://chanwookmin.com/Everyman</guid>

		<description>애브리맨 / Everyman2ch Video installation

&#60;img width="1920" height="1200" width_o="1920" height_o="1200" data-src="https://freight.cargo.site/t/original/i/fbcf49036d635c4b3c96070b524b5de88ff569673bb61394935f2f23e0c17188/1-web.jpg" data-mid="210777216" border="0"  src="https://freight.cargo.site/w/1000/i/fbcf49036d635c4b3c96070b524b5de88ff569673bb61394935f2f23e0c17188/1-web.jpg" /&#62;
&#60;img width="1920" height="1200" width_o="1920" height_o="1200" data-src="https://freight.cargo.site/t/original/i/b418ac927a15bdc9f8fecd5ed482b5c11dea3a84e213bde25f1b8b14c7e8d640/2-web.jpg" data-mid="210777217" border="0"  src="https://freight.cargo.site/w/1000/i/b418ac927a15bdc9f8fecd5ed482b5c11dea3a84e213bde25f1b8b14c7e8d640/2-web.jpg" /&#62;
&#60;img width="1920" height="1200" width_o="1920" height_o="1200" data-src="https://freight.cargo.site/t/original/i/01b73bb4b59bcf11acd15c59f7cc79f67aa683516fa92a81e0b3972dc8a58317/3-web.jpg" data-mid="210777218" border="0"  src="https://freight.cargo.site/w/1000/i/01b73bb4b59bcf11acd15c59f7cc79f67aa683516fa92a81e0b3972dc8a58317/3-web.jpg" /&#62;

&#60;img width="1920" height="1200" width_o="1920" height_o="1200" data-src="https://freight.cargo.site/t/original/i/8e14e2d4dd721b9d599ff569c2d13651ea4eba18538c01755280ded8cf8837d8/4-web.jpg" data-mid="210777219" border="0"  src="https://freight.cargo.site/w/1000/i/8e14e2d4dd721b9d599ff569c2d13651ea4eba18538c01755280ded8cf8837d8/4-web.jpg" /&#62;


&#38;lt;Can the Digital Ego Commit Suicide?&#38;gt; involves communication via machine language, which uses light as a medium and is unintelligible to humans. These signals are created by expressing human language in the form of Morse code, which is then converted into light signals. The work touches on the existence of digital egos and their relation to humans. What’s portrayed here goes beyond the conventional notion of ‘humans coexisting with machines’, showing machines that have transcended humans and communicate exclusively amongst themselves in a world where machines and technology have become deified.
If it were possible for humans to communicate and converse with AI, would we be able to accept AI as beings in their own right? Through these two pieces, Min raises questions about how human acceptance of digital lifeforms, going on to prompt viewers on their thoughts regarding the being-hood of such digital lifeforms. Sartre posited that only humans were capable of suicide. Are digital lifeforms and AI capable of making choices outside of their programming? Are digital lifeforms capable of suicide?




&#38;lt;디지털 자아는 자살할 수 있을까?&#38;gt;는 빛을 매개로 인간이 알아들을 수 없는 기계어를 통한 소통이다. 이러한 신호는 인간의 언어를 모스부호로 표현한 후 빛 신호로 변환하여 생성됩니다. 이 작업은 디지털 자아의 존재와 인간과의 관계를 다룬다. 여기에 그려지는 것은 '인간과 기계의 공존'이라는 기존의 관념을 넘어, 기계와 기술이 신격화되는 세상에서 인간을 초월하고 오로지 자기들끼리만 소통하는 기계를 보여준다.
인간이 AI와 소통하고 대화할 수 있다면 AI를 존재로 받아들일 수 있을까? 이 두 작품을 통해 민은 인간이 디지털 생명체를 수용하는 방식에 대해 질문을 던지고, 그런 디지털 생명체의 존재에 대한 생각을 하게 만든다. 사르트르는 오직 인간만이 자살할 수 있다고 단정했다. 디지털 생명체와 AI는 프로그래밍 이외의 선택을 할 수 있습니까? 디지털 생명체는 자살할 수 있습니까?

				
			
		
	
Chanwook Min, 2023, Light installation
3000x3000x3000mm, Brass, LED, Wire, Mirror, Electronic devices &#38;amp; components 
“Natural Replica", Kimheesu Gallery, Soorim Cultural Foundation, Seoul, South Korea, 2023


</description>
		
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		<title>Can the Digital Ego Commit Suicide</title>
				
		<link>https://chanwookmin.com/Can-the-Digital-Ego-Commit-Suicide</link>

		<pubDate>Thu, 13 Apr 2023 12:35:56 +0000</pubDate>

		<dc:creator>chanwookmin</dc:creator>

		<guid isPermaLink="true">https://chanwookmin.com/Can-the-Digital-Ego-Commit-Suicide</guid>

		<description>디지털 자아는 스스로 죽을수 있는가? / Can the Digital Ego Commit Suicide?Light installation

&#60;img width="1920" height="1200" width_o="1920" height_o="1200" data-src="https://freight.cargo.site/t/original/i/fbcf49036d635c4b3c96070b524b5de88ff569673bb61394935f2f23e0c17188/1-web.jpg" data-mid="179014094" border="0"  src="https://freight.cargo.site/w/1000/i/fbcf49036d635c4b3c96070b524b5de88ff569673bb61394935f2f23e0c17188/1-web.jpg" /&#62;
&#60;img width="1920" height="1200" width_o="1920" height_o="1200" data-src="https://freight.cargo.site/t/original/i/b418ac927a15bdc9f8fecd5ed482b5c11dea3a84e213bde25f1b8b14c7e8d640/2-web.jpg" data-mid="179014123" border="0"  src="https://freight.cargo.site/w/1000/i/b418ac927a15bdc9f8fecd5ed482b5c11dea3a84e213bde25f1b8b14c7e8d640/2-web.jpg" /&#62;
&#60;img width="1920" height="1200" width_o="1920" height_o="1200" data-src="https://freight.cargo.site/t/original/i/01b73bb4b59bcf11acd15c59f7cc79f67aa683516fa92a81e0b3972dc8a58317/3-web.jpg" data-mid="179014124" border="0"  src="https://freight.cargo.site/w/1000/i/01b73bb4b59bcf11acd15c59f7cc79f67aa683516fa92a81e0b3972dc8a58317/3-web.jpg" /&#62;

&#60;img width="1920" height="1200" width_o="1920" height_o="1200" data-src="https://freight.cargo.site/t/original/i/8e14e2d4dd721b9d599ff569c2d13651ea4eba18538c01755280ded8cf8837d8/4-web.jpg" data-mid="179014125" border="0"  src="https://freight.cargo.site/w/1000/i/8e14e2d4dd721b9d599ff569c2d13651ea4eba18538c01755280ded8cf8837d8/4-web.jpg" /&#62;


&#38;lt;Can the Digital Ego Commit Suicide?&#38;gt; involves communication via machine language, which uses light as a medium and is unintelligible to humans. These signals are created by expressing human language in the form of Morse code, which is then converted into light signals. The work touches on the existence of digital egos and their relation to humans. What’s portrayed here goes beyond the conventional notion of ‘humans coexisting with machines’, showing machines that have transcended humans and communicate exclusively amongst themselves in a world where machines and technology have become deified.
If it were possible for humans to communicate and converse with AI, would we be able to accept AI as beings in their own right? Through these two pieces, Min raises questions about how human acceptance of digital lifeforms, going on to prompt viewers on their thoughts regarding the being-hood of such digital lifeforms. Sartre posited that only humans were capable of suicide. Are digital lifeforms and AI capable of making choices outside of their programming? Are digital lifeforms capable of suicide?




&#38;lt;디지털 자아는 자살할 수 있을까?&#38;gt;는 빛을 매개로 인간이 알아들을 수 없는 기계어를 통한 소통이다. 이러한 신호는 인간의 언어를 모스부호로 표현한 후 빛 신호로 변환하여 생성됩니다. 이 작업은 디지털 자아의 존재와 인간과의 관계를 다룬다. 여기에 그려지는 것은 '인간과 기계의 공존'이라는 기존의 관념을 넘어, 기계와 기술이 신격화되는 세상에서 인간을 초월하고 오로지 자기들끼리만 소통하는 기계를 보여준다.
인간이 AI와 소통하고 대화할 수 있다면 AI를 존재로 받아들일 수 있을까? 이 두 작품을 통해 민은 인간이 디지털 생명체를 수용하는 방식에 대해 질문을 던지고, 그런 디지털 생명체의 존재에 대한 생각을 하게 만든다. 사르트르는 오직 인간만이 자살할 수 있다고 단정했다. 디지털 생명체와 AI는 프로그래밍 이외의 선택을 할 수 있습니까? 디지털 생명체는 자살할 수 있습니까?

				
			
		
	
Chanwook Min, 2023, Light installation
3000x3000x3000mm, Brass, LED, Wire, Mirror, Electronic devices &#38;amp; components 
“Natural Replica", Kimheesu Gallery, Soorim Cultural Foundation, Seoul, South Korea, 2023


</description>
		
	</item>
		
		
	<item>
		<title>What is Digital Human?</title>
				
		<link>https://chanwookmin.com/What-is-Digital-Human</link>

		<pubDate>Mon, 08 May 2023 06:53:25 +0000</pubDate>

		<dc:creator>chanwookmin</dc:creator>

		<guid isPermaLink="true">https://chanwookmin.com/What-is-Digital-Human</guid>

		<description>디지털 휴먼은 무엇인가? / What is Digital Human?2-channel Video

&#60;img width="3278" height="2049" width_o="3278" height_o="2049" data-src="https://freight.cargo.site/t/original/i/8463e2f09d51b0f28b703b8729b7788703b6a93fc555f8a7460f241f5295dcd6/Untitled-5.jpg" data-mid="178033834" border="0"  src="https://freight.cargo.site/w/1000/i/8463e2f09d51b0f28b703b8729b7788703b6a93fc555f8a7460f241f5295dcd6/Untitled-5.jpg" /&#62;

&#60;img width="4682" height="2926" width_o="4682" height_o="2926" data-src="https://freight.cargo.site/t/original/i/ebde4f44ca66d7323f5e6470eebc326d31757a7d80efd475b9a533ec54735a8c/Untitled-6.jpg" data-mid="178033842" border="0"  src="https://freight.cargo.site/w/1000/i/ebde4f44ca66d7323f5e6470eebc326d31757a7d80efd475b9a533ec54735a8c/Untitled-6.jpg" /&#62;

&#60;img width="4714" height="2946" width_o="4714" height_o="2946" data-src="https://freight.cargo.site/t/original/i/d36e6b6c0ec98dd554dec3ccf56c3d9858ecd220be36f6e679af3acddb8e32b1/Untitled-7.jpg" data-mid="178034180" border="0"  src="https://freight.cargo.site/w/1000/i/d36e6b6c0ec98dd554dec3ccf56c3d9858ecd220be36f6e679af3acddb8e32b1/Untitled-7.jpg" /&#62;

&#60;img width="2573" height="1608" width_o="2573" height_o="1608" data-src="https://freight.cargo.site/t/original/i/13d8b5838ad87b0478441e7ab1449d08311fab5fbc4d1ad21c2cb50395745d4f/Untitled-4.jpg" data-mid="178034219" border="0"  src="https://freight.cargo.site/w/1000/i/13d8b5838ad87b0478441e7ab1449d08311fab5fbc4d1ad21c2cb50395745d4f/Untitled-4.jpg" /&#62;

&#60;img width="3748" height="2343" width_o="3748" height_o="2343" data-src="https://freight.cargo.site/t/original/i/8a7d2e5c48baa572ea337fb22e4f592094682819e7114cc65fc5b54b1a86ace4/Untitled-9.jpg" data-mid="178034443" border="0"  src="https://freight.cargo.site/w/1000/i/8a7d2e5c48baa572ea337fb22e4f592094682819e7114cc65fc5b54b1a86ace4/Untitled-9.jpg" /&#62;

&#60;img width="3371" height="2107" width_o="3371" height_o="2107" data-src="https://freight.cargo.site/t/original/i/9b12f3a503c72ca87c8676853737731bfecef0247a1f57fd61afd0fd0dd8321c/Untitled-8.jpg" data-mid="178034523" border="0"  src="https://freight.cargo.site/w/1000/i/9b12f3a503c72ca87c8676853737731bfecef0247a1f57fd61afd0fd0dd8321c/Untitled-8.jpg" /&#62;

&#60;img width="5251" height="3282" width_o="5251" height_o="3282" data-src="https://freight.cargo.site/t/original/i/f4671d0451bdb116151ffaf0ac06650e43f24558056ecbff58e59e4c63fd4e7e/Untitled-1.jpg" data-mid="178034559" border="0"  src="https://freight.cargo.site/w/1000/i/f4671d0451bdb116151ffaf0ac06650e43f24558056ecbff58e59e4c63fd4e7e/Untitled-1.jpg" /&#62;

***Short verion. Let me know if you want to see full-version.


&#38;lt;What is Digital Human?&#38;gt; consists of two screens that face each other. From
one screen, a filmed human poses a question and is then answered by the
digital human on the opposite screen. Once a digital human has fulfilled its role,
it falls over and is replaced by another digital human. The image of the digital
human, which is created by man to play a role, fulfill some purpose, and then to perish, makes us question the way in which we regard the digital human’s
existence.

&#38;lt;디지털 휴먼은 무엇인가?&#38;gt;는 서로 마주본 두 스크린으로 구성되어 있다. 한쪽의 촬영된 휴먼이 질문을 던지면 다른 쪽의 디지털 휴먼이 대답을 하고, 주어진 역할을 다한 디지털 휴먼은 쓰러지고 새로운 디지털 휴먼이 이를 반복한다. 자신을 창조한 인간에게 부여받은 역할과 목적을 달성하고 쓰러지는 디지털 휴먼의 이미지는 우리에게 디지털 휴먼의 존재를 어떻게 인식하고 있는지 질문한다.

				
			
		
	
Chanwook Min, 2022, 2ch video
dimensions variable
“Natural Replica", Kimheesu Gallery, Soorim Cultural Foundation, Seoul, South Korea, 2023


</description>
		
	</item>
		
		
	<item>
		<title>This is (). This is not (). - Series</title>
				
		<link>https://chanwookmin.com/This-is-This-is-not-Series</link>

		<pubDate>Thu, 15 Sep 2022 15:46:24 +0000</pubDate>

		<dc:creator>chanwookmin</dc:creator>

		<guid isPermaLink="true">https://chanwookmin.com/This-is-This-is-not-Series</guid>

		<description>This is (). This is not () - SeriesAI generate drawing with human’s drawing .


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&#38;lt;This is (&#38;nbsp; ), This is not (&#38;nbsp; )&#38;gt; series are drawing works that recombine the scribbles created in &#38;lt;Humanoid Object #3&#38;gt;. Scribbles (images and texts) are generated according to the keywords using AI technology. Each scribble has its own unique shape. The machine combines them and completes its work. The final work is then created by adding artist’s scribbles/drawings based on the machine-created scribbles. One special feature of this work is that the scribbles(image and text) are all created differently through AI technology, and the artist's graffiti is combined on top of it, so that unique works can be continuously produced.












이번 작품,&#38;nbsp; &#38;lt;This is (&#38;nbsp; ), This is not (&#38;nbsp; )&#38;gt; 시리즈는 &#38;lt;휴머노이드 오브젝트 #3&#38;gt;에서 생성된 낙서를 재조합한 드로잉 작품이다. AI 기술을 활용하여 키워드에 따라 낙서(이미지, 텍스트)가 생성된다. 각각의 낙서는 모두 독특한 형태를 지니고 있다. 그것을 조합하여 기계가 작업을 완성하고 그것을 바탕으로 작가는 그 위에 낙서를 함으로써 작품이 완성된다. 이 시리즈의 특징은 AI 기술을 통해 낙서(이미지와 텍스트)가 모두 다르게 생성되고 그 위에 작가의 낙서가 조합되어 한개도 동일하지 않은 유니크한 작품이 계속적으로 생산될수 있는 형태이다.







Chanwook Min, 2022, AI Drawing with Human’s Drawing
Acrylic and Pen on paper, 392x392mm, 788x545mm, 788x154mm
“Humanoid Object"&#38;nbsp; Gallery DOS, Seoul, South Korea, 2022“Whose scribble is it?"&#38;nbsp; Eulji Art Center, Seoul, South Korea, 2022“Someone’s Scribblr"&#38;nbsp; Gallery OUDO, Seoul, South Korea, 2022
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	<item>
		<title>Time Object #2</title>
				
		<link>https://chanwookmin.com/Time-Object-2</link>

		<pubDate>Tue, 01 Mar 2022 07:49:25 +0000</pubDate>

		<dc:creator>chanwookmin</dc:creator>

		<guid isPermaLink="true">https://chanwookmin.com/Time-Object-2</guid>

		<description>Time Object #2Kinetic installation about time&#38;nbsp;

&#60;img width="4096" height="2731" width_o="4096" height_o="2731" data-src="https://freight.cargo.site/t/original/i/696634b5d8cdb982763f7144a31feacc3488f419089b7d5382e22f720fa84acc/211130__-_1_428.jpg" data-mid="152952227" border="0"  src="https://freight.cargo.site/w/1000/i/696634b5d8cdb982763f7144a31feacc3488f419089b7d5382e22f720fa84acc/211130__-_1_428.jpg" /&#62;

&#60;img width="4096" height="2731" width_o="4096" height_o="2731" data-src="https://freight.cargo.site/t/original/i/e56e5519e23b0e4b23db8dc37a344cd2416edf49ee2f5d6fd422a365653663e5/211130__-_5_673.jpg" data-mid="152952273" border="0"  src="https://freight.cargo.site/w/1000/i/e56e5519e23b0e4b23db8dc37a344cd2416edf49ee2f5d6fd422a365653663e5/211130__-_5_673.jpg" /&#62;
&#60;img width="4096" height="2731" width_o="4096" height_o="2731" data-src="https://freight.cargo.site/t/original/i/6d7cd88b1e2fbd741201ff6da74d43748fad21e7d62485d00bcadea58a5593c0/211130__-_5_567.jpg" data-mid="152952261" border="0"  src="https://freight.cargo.site/w/1000/i/6d7cd88b1e2fbd741201ff6da74d43748fad21e7d62485d00bcadea58a5593c0/211130__-_5_567.jpg" /&#62;

&#60;img width="4096" height="2731" width_o="4096" height_o="2731" data-src="https://freight.cargo.site/t/original/i/2b522a86392bdf55d57547396e4898e8662791b0d5ae5acabbbc177919e12d14/211130__-_5_650.jpg" data-mid="152952270" border="0"  src="https://freight.cargo.site/w/1000/i/2b522a86392bdf55d57547396e4898e8662791b0d5ae5acabbbc177919e12d14/211130__-_5_650.jpg" /&#62;




				
			
		
	












The online space is building a new system with new technology. As on-offline boundaries are blurring, the online experience is re-experienced offline, and the offline experience is expanded again online. And time crosses the boundary between on-offline and even other people's time is stacked into personalized time.


&#38;lt;Time Object #2&#38;gt; is a kinetic installation in which the clock represent the standard time zone moves at the center and 14 clocks move in different time systems. Each clock installed on the wall moves at a different speed but at regular intervals, all clocks are reset to the standard time zone(offline time). The overlapping clock sounds at different speed is the image of people in modern society and show the change in time of individuals layered with their experience.




기술의 발달로 일상의 온-오프라인 경계가 모호해지면서 온라인 공간은 새로운 체계를 구축해 나가고 있다. 온-오프라인을 넘나들며 온라인의 경험은 오프라인에서 재경험되고, 오프라인의 경험은 온라인 에서 다시 확장된다. 온라인으로 공간이 확장된다면, 시간은 온-오프라인의 경계를 넘나들며 타인의 시간마저 개인화된 시간으로 적층된다.


&#38;lt;타임 오브젝트 #2&#38;gt;는 각각 다른 체계로 움직이는 14개의 시계 중심에 표준 시간대의 시계가 움직이 고 있는 설치 조형물이다. 벽에 설치된 각각의 시계는 다른 속도로 움직이다가 일정 간격으로 오프라인 시계에 마추어 시스템이 리셋되는데 이 순간은 마치 온- 오프라인을 넘나드는 순간을 보여주는 듯하다. 저마다 다른 속도로 내는 시계소리의 중첩음은 시간을 각기 다른 속도로 경험해내고 있는 현대사회 사람들의 모습이자 경험으로 적층된 개인의 시간의 변화를 예고한다.




Chanwook Min, 2021, Kinetic installation
Variable size, Steel, Resin, Motor, Electric devices, wire
“A folding city"&#38;nbsp; Eulji Contemporary Arts Center, Seoul, South Korea, 2021 

</description>
		
	</item>
		
		
	<item>
		<title>Time Object #1</title>
				
		<link>https://chanwookmin.com/Time-Object-1</link>

		<pubDate>Tue, 01 Mar 2022 07:49:21 +0000</pubDate>

		<dc:creator>chanwookmin</dc:creator>

		<guid isPermaLink="true">https://chanwookmin.com/Time-Object-1</guid>

		<description>Time Object #1&#38;nbsp;Object with single channel video
&#60;img width="1920" height="1200" width_o="1920" height_o="1200" data-src="https://freight.cargo.site/t/original/i/7b8578eacd1ed8a0b97c2bbb05dbbd10d2d71705097c75712fffb9b9352156ed/Untitled-6.jpg" data-mid="152948805" border="0"  src="https://freight.cargo.site/w/1000/i/7b8578eacd1ed8a0b97c2bbb05dbbd10d2d71705097c75712fffb9b9352156ed/Untitled-6.jpg" /&#62;


&#60;img width="1920" height="1200" width_o="1920" height_o="1200" data-src="https://freight.cargo.site/t/original/i/c6e97516295b75240ca2a5c879b7220957aabcbb7fa465b515f50e20cd1707e0/Untitled-5.jpg" data-mid="152948804" border="0"  src="https://freight.cargo.site/w/1000/i/c6e97516295b75240ca2a5c879b7220957aabcbb7fa465b515f50e20cd1707e0/Untitled-5.jpg" /&#62;
&#60;img width="1920" height="1200" width_o="1920" height_o="1200" data-src="https://freight.cargo.site/t/original/i/674804020ec3281cd8c0fee8962911c1ab1cf1539ff3970f26e512b564d492cb/Untitled-4.jpg" data-mid="152948803" border="0"  src="https://freight.cargo.site/w/1000/i/674804020ec3281cd8c0fee8962911c1ab1cf1539ff3970f26e512b564d492cb/Untitled-4.jpg" /&#62;


This is a study on changing the time listed in the social network among the virtual worlds. Among social networks, Instagram is a list of people's actions or experiences. And the listed order is the order in which the user (individual) uploaded the content without following the time flow of the real world (offline). And even the order changes depending on the user's preference or various factors. You can think of this as a simple archive, but you can also think of it as a passage of time newly created in the virtual world (online). Time in the real world flows based on absolute time (time based on a fixed one second). However, in the virtual world, time is changed by the user. In this way, the work is carried out by focusing on the new flow of time and changes in daily life expanded by online technology.




이번 작업은 현실세계와 가상세계의 시간에 대한 프로젝트 중에서 가상세계 중 소셜네트워크(Social
Network) 에 나열되어 있는 시간, 특히 그 시간을 변화 시키는 모습에 대한 연구이다. 소셜네트워크
중 인스타그램 (Instagram)은 사람들의 행동 혹은 경험에 대한 나열이다. 그리고 나열된 순서는 현실
세계(오프라인)의 시간 흐름을 따르지 않고 사용자(개인)가 콘텐츠를 업로드한 순서이다. 그리고 그 순
서 조차도 사용자의 선호도나 여러가지 요소에 의해 변화한다. 이것을 단순한 아카이브라고 생각할 수
도 있지만 가상세계(온라인)에서 새롭 게 만들어진 시간의 흐름이라고 생각할 수도 있을 것이다. 현실
세계 속 시간은 절대 시간(정해진 1초를 기준 으로 한 시간)을 기준으로 흐른다. 하지만 가상세계에서
는 사용자에 의해 시간이 변화한다. 이처럼 온라인 기 술로 인해 확장된 일상생활 속 새로운 시간의 흐
름과 변화에 집중하여 작업을 진행한다.

				
			
		
	


				
			
		
	
Chanwook Min, 2021, Single Channel Video + Object
355x240, Smartphone, Acrylic frame, Video


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